Beach Haven

​Bibliography
Aiken, Katherine G. 2019. "The Environmental Coneqences Were Calamitous: Smelter Smoke Controversies in Progressive Era America, 1899-1918." Technology and Culture, The International Quarterly of the Society for the History of Technology (Johns Hopkins University Press) 60 (1): 132-164.

Review by Michael Beach
 
In this article, Katherine Aiken looks at legal battles between smelter operation companies and community organizations that sued for damage created by toxic smoke. Most of these organizations represented farmers, but the author includes the “four-way interaction among farmers, industrialists, government, and technology” (Aiken 2019, 134). Aiken speaks to claims and settlements, but since this journal is about technology, as one could guess, the primary focus is on technological ways smelter owners approached reducing particulate output. Her intention with the article is to “survey major smelter smoke battles with an emphasis on the intersection of industrial growth, engineering solutions to challenges, and the role of farmers and the government” (Aiken 2019, 135).

The specific systems developed included baghouses, large buildings filled with filtering bags that captured much of the particulate matter. A weakness to this approach is it was expensive and did not stop gasses. Two related solutions were to extend the location of smoke exhaust. In one version, large underground tunnels would be used to move the smoke away from locations with people and farms to less concerning (more remote) locations. The other was to build ever taller smokestacks so the particulates were spread more widely, having less affect in any one location.

Perhaps the most exotic approach was something called ‘electrostatic precipitation’ in which emissions were passed through an electric field that caused some of the gases to break into other compounds that had other uses. This was costly in terms of electricity generation, but some of the cost was offset by revenues created from sale of the chemical byproducts.

Social and financial forces were at odds with each other. They were also connected to each other. For example, Aiken shows how farmers’ claims were argued by the smelter companies to be exaggerated. Experts on both sides made their cases. Both groups had financial motivation. The technology was developed to lower the financial impact claims of farmers while minimizing cost to smelter operators. 
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Bibliography
​Good, Katie Day. 2019. "SIght-Seeing in School: Visual Technology, Virtual Experience, and World Citizenship in American Education, 1900-1930." Technology and Culture: The International Quarterly of the Society for the History of Technology 98-131.

​Review by Michael Beach
 
The focus of this article by Katie Day Good is the language and arguments used to extend the use of audio/visual media in the early part of the 20th century from the homes of those who could afford it into the schools as a form of education enhancement. In 1928 Anna V. Dorris, then the president of the National Education Association (NEA), urged teachers to reject “formal and bookish” instruction and “explore the pedagogical potentials of newly available audio and visual devices” (Good 2019, 99). This idea seems to inspire the play on words of the article title. Instead of site-seeing, as in going to a site to see it, the media bring the sight of a site to the classroom, hence the idea of 'sight-seeing'. One is not seeing the site, rather an edited and controlled image of the site.

After WWI the United States “began forging a rhetorical link – what cultural studies scholars call an articulation” (Good 2019, 101). The idea of forming an articulation between school instruction and “an emerging ideal of ‘world citizenship’" (Ibid.) can be linked to a push for the organization of the League of Nations, the predecessor of the United Nations, that was forming around the same time. Isolationism as opposed to world entanglements had been a debate from the very founding of the United States. Here, NEA leaders, federal government, and manufacturers of media devices chimed together using similar rhetoric, if not similar motivations. The tension over how much international involvement should our country take on is still in headlines today. The idea of using educational media to help students understand other cultures through virtual tours in the classroom also continues, even it the technology has changed. Good points out that, “The historical association between classroom media use and the acquisition of worldly experience warrants attention in the digital and globalization age” (Good 2019, 103). She argues that such “discourses of global citizenship education, international connectivity, and the democratization of communication have helped smooth the way” of Internet deregulation and commercialization (Ibid.). She may have a point on commercialization, but one of the major attractions of the Internet is the considerable lack of regulation existing from its inception. Nonetheless, she essentially takes for granted the benefits pushed in the language she is critiquing and focuses on the way language is used to make the various cases with a resulting growth in classroom use of media for instruction.

One caution Katie Good does share is the potential of media to reinforce a Western world view and “reproduce colonial relationships through inequalities of representation and access” (Good 2019, 104). For example, through the ‘value of virtual travel’ depictions may be used to either encourage or reinforce “desirable behaviors in hygiene, health, and morality through stories and dramatizations” (Good 2019, 105). Desirable to who? Good shares some of the language used at the time. She quotes X. Theodore Barber as saying, the “heightened sense of culture and refinement surrounding [these] exhibitions attracted the ‘better classes’ as well as those who wished to be identified with them” (Good 2019, 107). The colonialism angle refers to using images as a “means of appropriating some distant place through an image” (Good 2019, 113). Just as in the physical ‘appropriation’ of some other people or place, the use of images helps form ideas about these ‘others’ through the lens of Western thought and interpretation, one of the hazards of ethnologists. These researchers do all they can to avoid ‘reflexivity’, but it’s safe to say the rest of us are not so aware of the issue or have tools to adjust our perspective under our own cultural view. Consider one of Good’s closing statements, “Consistent in the promotional rhetoric for all manner of instructional media was a dual emphasis on its ability to unify and uplift Americans around a common set of civic values while turning their attention to the rapidly changing world beyond their shores” (Good 2019, 124). As an author, Good is questioning if both of these stated goals can truly be accomplished together. Essentially, by espousing the first creators of media help color the second.
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Bibliography
Ferreira da Silva, Alvaro, and M. Luisa Sousa. 2019. "The "Script" of a New Urban Layout: Mobility, Environment, and Embellishment in Lisbon's Streets (1850-1910)." Technology and Culture: The International Quarterly of the Society for the History of Technology 60 (1): 65-97.

Review by Michael Beach

The authors of this article look at city planning from the perspective of ‘scripting’ in the form of planning documents, and ‘scribes’ comparing public and private efforts both in tension and compliment. During the specified time-period, Lisbon was like many other European cities with haphazard growth and poor technology. As a result, there was a fair amount of health and safety concerns for city residents.

Ferreira da Silva and Sousa show planning maps as issued by the city council during the 60-year window. With each plat the street layout and utilities change, but not as previous plats had imagined. The plat design is a form of ‘scripting’ and city planners are a form of ‘scribe’. At the same time, private interests had their own designs in mind. Developers would purchase tracts of land in and on the outskirts of town, then construct private streets and buildings, often ignoring city codes and plans. Private funds were available more quickly, and construction could be carried out for less cost when not allowing for street amenities such as sidewalks, pavement, lighting, maintenance and sewers. “Opening private streets was a refuge to avoid more coercive municipal bylaws and escape the slower street construction and infrastructure by the municipality” (87).

As one might guess, compromise became common. “Sooner or later, they moved in the public domain and the city council found itself saddled with streets poorly sized and cared for” (Ibid.). In one example, a promoter named Bairro Andrade “signed a deed with the city council… giving the terrains of the five recently opened streets in the public domain” (Ibid.). In compensation, the city council agreed to “plumb, pave, and illuminate them” (Ibid.). By this point, Andrade would have already cashed in on private sale of any of the property not deeded to the city, as well as he would continue to collect rents.

I doubt these sorts of fits and starts of city planning and development were any different in other countries, or in other times. Even today one hears of shady developers and negative aftermaths of unchecked building projects. At the same time, growth under strict government control tends to slow. Weighing this tension between safety and quality as opposed to quick financial returns are social factors that have a direct impact on technological decisions. That seems to be the main point of the article.
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Bibliography
​Hausse, Heidi. 2019. "The Locksmith, the Surgeon, and the Mechanical Hand: Communicating Technical Knowledge in Early Modern Europe." Edited by Suzanne Moon. Technology and Culture (Johns Hopkins University Press) 60 (1): 34-64.

Review by Michael Beach
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In this article, Heidi Hausse looks at a specific case of an artificial prosthetic hand designed by a surgeon named Ambroise Paré. He had a representation drawn in a publication called Oeuvers in 1575 A.D. In order to allow for increased circulation of the design, a wood cutting of the picture was created by a locksmith named le petit Lorrain. The cutting was then used to reproduce the technical drawing in many subsequently published medical books and documents. Hausse takes a look at the imprint made by the wood carving and compares it to similar printed carvings. She also explores what the pictures do and don’t convey, and who might make use of the drawings.

A couple of themes come out in Hausse’s writing. Although one might imagine the drawings would be of interest to other surgeons, in reality “artisans were a crucial audience” (Hausse 2019, 36). The technical knowledge transfer was more about replicating the apparatus than for post amputation recuperation of patients. As a result, “substantive exchanges of knowledge took place between artisans and learned men” (Hausse 2019, 37) that might otherwise not happen due to cultural status difference. “The role of craft production in the initial creation of the image allows us to consider its purpose in Paré’s surgical treatise from the perspective of an artisan” (Hausse 2019, 47).

Another theme relates to how historians sometimes question the effectiveness of the early printing press to convey technical knowledge. “Many historians have been skeptical of the printing press’s impact on the transfer of craft techniques” (Hausse 2019, 52). One reason given is the interspersing of words and numbers to clarify graphics which are readily understood by technicians, but less so for surgeons. Another reason for skepticism is that “manuals contained either too little or too much of the information needed for a task, and often omitted practitioners’ tricks” (Ibid.). Finally, such sketches might contain mistakes. A few numbers pointing to specific parts didn’t match the accompanying terms. Finally, the documents many of the people creating the documents didn’t understand how the apparatus worked. Think of those in the supply chain to bring the documents about such as “translators, editors, artists, and printers” (Hausse 2019, 55).

Some of this same skepticism might be leveled on similar modern technical documents. Perhaps the difference comes in how easy documents can be published, then corrected and republished. One point that is a common argument among sociologists of technology is the need for tacit or practical experience, that written documents are just not enough. Just think about how many times you’ve may have opened a cookbook only to understand that some of the process for adding ingredients is not always clear. Watching videos with chefs creating the same dish can be helpful, but nothing can be a substitute for making it yourself.